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Chinese Painting
Just as in calligraphy, the brush, paper, ink, and ink stone are called "The Four Treasures." The brushes are similar to watercolor brushes, except they are pointer at the tip. Wolf hair and goat hair are used. Wolf hair is stiff and highly resilient. Because it is so stiff, it can be used to paint leaves and branches. Goat hair is soft and pliable, and is used to paint delicate flower petals and animal fur. Inks and paints are made from minerals, plants and semi-precious stones. Rice paper is used to capture an artist's work; however a vareity of different paper consistencies can be used, changing the effect of the ink.

History
The earliest paintings found were in tombs in present-day Manchuria and North Korea. Later, during the Tang dynasty (618-906), paintings of people and courtly life were popular.
Although still popular today, it was during the Song dynasty that most of the painting styles we are familiar with today emerged. In the Song dynasty (960-1279), nature overtook people as a common theme for paintings. Reflecting Daoist beliefs, people became mere dwarfs in awesome paintings of mountains and other natural developments. Painters also focused on natural elements, such as a bird, bamboo, flowers, trees, etc. Monochrome also developed, which means that the artist uses only black ink with varying shades of gray to show depth, atmosphere, distance, etc. Under the Yuan dynasty (1260-1368), Chinese arts flourished. Building on the themes of the previous dynasty, and in rebellion to foreign rule, paintings flourished. Painters focused on still life. The surface of paintings became important, such as style and number of brushstrokes. During the Ming dynasty (1368-1644), a revival of past styles evolved, and birds and flowers were a common theme. During the latter part of the Qing dynasty (1644-1912), art production declined.

Modern Paintings
Finally, during the current Communist rule, art became more propagandized, reflecting the movements, attitude and soul of the "New China." Paintings during this time had the distinction of being mass-produced and shared with the masses, as was the communist theme, mostly to get a message of solidarity to the people. These paintings came in the form of posters, and replaced traditional forms of art in Chinese homes. Mao himself became an icon of the times, with a craze of selling not only paintings and posters, but also pins, carvings, knic knacs, and more.

Modern Chinese art is has an artistic theme, with more a social flavor, with themes such as modernity, old mixed with new, a new perspective on old, homosexuality, globalization, the female nude, etc. It also includes photography, computer graphics as well as painting. In some respects, Chinese art has a relation to other art around the world in that it deals with modernity, but also is uniquely Chinese in that an ancient culture has to deal with casting off old moldings.

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